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KICK SOME GIRLS..ASS

Formed in 2006, Waking The Cadaver quickly went to work at producing some of the most blatantly heavy music combining the most furious of death metal, grind, and hardcore all in one unique display of power, catchiness, and aggression to be known as "Slamming Gore Groove". After releasing their self titled 2 song demo in 2006, Waking The Cadaver didn't hesitate tearing apart their home state of New Jersey and recieved good response. Ultra-violence amongst many, a Waking The Cadaver show is entertainment not to be missed, in which the crowd has no choice other than chaos. In late 2007 the debut album "Perverse Recollections of a Necromangler", was released on Necrohamonic Records. On this debut Waking The Cadaver not only proved to critics that their music is a force to be reckoned with, but also proved that they strive to be the next level of brutality. Looking in the future, the band plans on touring relentlessly to crush the world with their live performance, and release album after a

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Capricorn

Underground. Where else would you expect to find the true blood and guts of the extreme metal scene? The filthiest, most brutal bands dishing out the most intense punishment are here, unfettered by here-today-gone-tomorrow trends or the temptation to conform to some notion of what a metal band should be. Suicide Silence, an astonishingly well-developed five-piece from Riverside, CA, are a true product of that always thriving underground, a band single-mindedly focused on creating rabidly heavy and aggressive music.

Suicide Silence started in late 2002 as a side project for its members who were all involved in other local bands at the time. Things didn’t get serious, however, until 2004, when the current lineup was solidified. “Early on we were slower and sludgier,” explains drummer Josh Goddard, “but through a few member changes the sound became more powerful and energetic.” This mix of musicians brought together their influences—death metal, grindcore, black metal, hardcore, doom—and combined them into songs that are complex without being mystifying, and savagely fast and explosive without becoming a featureless blur.

Their debut 5-song EP for Third Degree Records is a brutal testament to the sort of damage Suicide Silence is capable of inflicting. Though definitely rooted in what Goddard calls a “fast-paced death metal style,” it defies that genre’s sometimes predictable conventions, striving instead for something more unique. The songs are dynamic and crushing, shifting effortlessly from insane grind chaos into total molten sludge, with plenty of dynamic twists and turns along the way. Vocalist Mitch Lucker screams, growls and grunts over an ungodly guitar assault, while the band’s surgically precise rhythm section handles the disorienting time signatures and snail-paced grooves with equal efficiency.

It is a sound that, though well-manifested on their EP, is devastating live. Suicide Silence’s breakdowns cause havoc in the pit, their blast-beats are neck-snapping and there is a palpable sense of barely controlled pandemonium when they play live. “We don’t hold back,” says Goddard, “and we try to give the crowd a show rather than standing around watching the moshpit and acting tough.” The reputation they’ve staked as a fearsome live act has brought them the opportunity to play with bands as diverse as God Forbid, Impaled, Bury Your Dead and Between the Buried and Me. And touring fervently in support of every release is a given.

Suicide Silence may be a product of the burgeoning metal underground in the U.S., but their goals are far from modest. Without pandering to trends, or riding some scene’s coattails, the band always wants to move forward, wherever it takes them. “We never want to stop improving—as a band, as individual musicians, as songwriters and as performers,” says Goddard. “We want to make sure that every album we put out and every show we play is better than the last.”


In late 1995, Shaun LaCanne joined Numskull and had a 5 year reign of terror with the likes of Tom Bradner (Guitar), Paul Benigno (Vocals), Mike Eisenhauer (Bass), and Scott Creekmore (Drums). We went through a couple of lineup changes introducing Mark Page (Bass), and later Ryan Schaefer (Bass). Due to some circumstances beyond anyone’s control, Numskull split up. Hence the birth of Putrid Pile. Frustrated with Numskull's breakup, I (Shaun) had to press on and be a part of the sickness that is the underground. Knowing already what I wanted, I immediately picked up a drum machine and started writing intense, sick and twisted guttural death metal. By the end of 2000, Putrid Pile had enough material for a 5-song demo. Early in 2001, Putrid Pile went to Mercenary Digital Studios to record the demo and entitled it "Bleed For Me". The first time it was ever released into public hands was at Milwaukee Metalfest 2001. It received a great response from the people who received a copy. Shortly afterwards Putrid Pile concentrated on live shows and getting as much publicity as possible. Putrid Pile continued to play gigs mercilessly and whore out free "Bleed For Me" demos to anyone who would take one in the US and around the world. The demo received many awesome reviews and continued to get a great response in the underground from bands, zines, webzines, radio stations and fans. Eventually, Putrid Pile caught the ear of United Guttural Records and signed a one record deal with them. After the signing, Putrid Pile went into strict writing mode. Writing a total of seven more songs, along with the five songs from the demo, to record the first full length, “Collection Of Butchery” to be released in early 2003. "Collection Of Butchery", is the sickest material that Putrid Pile has done to date with awesome artwork and excellent / professional production. In the future, Putrid Pile plans to have a full (human) band. Still keeping the intense and relentless drive of my origina