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"WELCOME & ENJOY OUR room: "Cool Architecture-holic Fs Exhibition" studio.
Let's come & join with us... we'll sink together..."
More about cafestudio
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Messaging Off[Restricted to cafestudio's friends] |
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Occupation:
architecture suplement
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Hobbies and Interests:
reading book-discusion-architectural advanture
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Favorite Books:
Vitruvius;Ching;YB.Mangunwijaya; ET White; Cornelis V......
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About Me:
WELCOME & ENJOY OUR room: "Cool Architecture-holic Fs Exhibition" studio.
Let's come & join with us... we'll sink together into the own culture, then we can learn more about our local architecture; certainly, we can share all about our arc. activities and also u can give opinion, idea, comment, or grab our photos and more....
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Who I Want to Meet:
evryones who NEEDS some medicine to refresh their skill & wants to mad with architecture..........^^
e: cafestudio.arc@gmail.com
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ada yang punya buku tentang bandara selain airport engineering?
mana anak2nya......
-k-
Semua unsur bentukan yg dia ramu sangat mekanis... garis, bidang, dan cenderung mengkotak-kotak gengan tekstur polos, sederhana...
tidak ada salahnya, memang...
Tetapi, bandingkan dengan apa yang kita miliki sebenarnya jauh lebih menginspirasi hingga pada detilnya... Ambil contoh sj apa yg dibuat Romo Mangun dg Sendang Sononya, Silaban dg Istiqlalnya, atau Maclaine Pont dg Poh Sarangnya, bs memperlihatkan kecantikan suatu bidang tekstur atau jg bentukan struktural yang tdk biasa, kan...
Wah.. komentarya ttg kelemahan komputer dr Eyang Eisenman ga beda jauh sm kritik dr Budi A. Sukada thdp originalitas desain2 ars. mhsw zaman skg y...
Di RIAS Architecture Award 2008, Eisenman jg menegaskan hilangnya pengaruh kultur suatu t4 dg lemahnya kemampuan mahasiswa mempelajari kondisi yang ada:
1. Architecture in a media culture
2. Students have become passive
3. Computers make design standards poorer
4. Today's buildings lack meaning or reference
5. We are in a period of late style
6. To be an architect is a social act
Kita beruntung memang, berada di kawasan yang kulturnya kaya. Jika dibandingkan sm karya Eisenman sendiri, mis: 'Wexner Center for the Arts' yang 'kemungkinan besar' dekonstruksinya beraliran deriddean (krn. dia brpglmn berkolaborasi lgsg dg derrida)bs menunjukkan 'greget' ekspresi arsitektur yg: banyak menimbulkan tanya, sesuatu yang tdk terselesaikan, mis-irama dr wujud bangunan yg mnyerupai benteng pertahaan tsb.