Interview with Cradle of Filth Keyboardist Rosie Smith

1. Firstly, how are you?
Cold! We're in Canada at the moment and I've just been for a walk and the snow soaked through my boots! Otherwise I'm pretty good.
2. As a little introduction to the fans, give us a bit of background?
Well, I grew up just outside London, but I moved with my parents to Dorset when I was twelve. I did a music diploma at Weymouth college, which is where I met and joined my first band 'Jack's Back'. They were totally the opposite to Cradle, very easy-listening and poppy, but I wrote a few songs with them and we gigged around the south. The last I heard the drummer was playing with Tracy Chapman! I played in a few bands around that time, including a Tina Turner tribute band which I played saxophone in (Again, totally the opposite to Cradle!). I went to Salford University when I was twenty, and that's where the band 'Sugalo' was formed. I also wrote music for a few short films, and I'm in the process of writing a rock opera, although I've been writing it for about three years so the chances of it ever being finished are somewhat slim!
3. Tell us about your first impressions of the CoF guys?
Total and utter idiots! Only joking, sort of! I'm not going to lie though, at first I wasn't sure about any of them! It is hard to be taken seriously as a female musician in the metal genre, and I got the impression that they weren't all that keen on having a girl in the band. And it's always hard being the new one, because everyone knows each other and it takes a while for a group to except a new person (Although I would have thought Cradle were used to that by now!!).
4. And your impressions of them now, after touring?
Slightly improved I suppose! I think I have proved that I'm not going to sit and cry in the corner because I've broken a nail, so they have accepted me a little bit. I have formed a couple of pretty good friendships within the band, and although I know it's very much a dog eat dog industry, I genuinely care about all of them (Except that bass player, what's with his sideburns!!).
5. Did you ever meet CoF before you played with them?
No, my audition was the first time I met them. After that I spent two weeks in the studio with them rehearsing, and then I did my first tour.
6. You appeared in the Temptation video. How was that?
Brilliant, I spent an hour getting my make-up put on, and I was in it for about two seconds! It was the first video I'd ever done, so the whole thing was new to me. I hate cameras, and we were all filmed seperatly, so being on my own on the set in front of a camera was very scary for me. But I did it, and I was glad because now I know I can do it again and there's nothing to worry about.
7. Was it difficult learning all the keys for the tour set list?
The actual parts weren't that difficult, the tricky bit for me was following the blast beats. The band is so tight, and that has obviously come with practice, and once I got used to them and the way they played, I was ok. We all follow the bass drum, and I have never really had to that, well not to that extent anyway, but I practiced and practiced, and now I can't imagine playing any other way.
8. Do you have a favourite song to play?
My favourite song to play in the current set is definatly 'Dusk and her embrace'. The only plroblem is I get so into it that it's over before I know it, and I'm always really disappointed that it ended so soon! My favourite to listen to though is 'Tonight in flames' from Thornography. It's so catchy that I go to bed every night humming it!
9. How do you find the travelling so far?
Generally I love it. Like everyone I have my down days where I feel like getting on the next plane home, but I am getting to see places that I have never seen before, and when I remember how lucky I am it usually cheers me up. The only problem for me is that the rest of the band have all toured these places before, and they aren't always interested in seeing the sights, so I have to do a lot of it on my own. I don't mind it though, it's always nice to have my own space, and to be able to do it in such beautiful surroundings is a bonus!
10. Can we find more about you on the net?
www.myspace.com/rosiecof






Interview with Cradle of Filth Drummer Martin Skaroupka

1. Firstly, how are you?
I'm fine, thx!
2. As a little introduction to the fans, give us a bit of background?
26yrs old man from Czech Republic (in the middle of Europe, not Czechoslovakia anymore, right?), living for drumming, I have recorded about 20 CD's in Czech and I have been in a band with Jeff Dunn (aka Mantas, ex-Venom).
3. Tell us about your first impressions of the CoF guys?
Yeah, cool guys, I have been impressed. Very friendly and also funny people, we have had and still having a lot of fun.
4. And your impressions of them now, after touring?
I like! It's nice!
5. Did you ever meet CoF before you played with them?
Yes, I saw them live in Prague when I was 16yrs old (Dusk tour). I have always been a huge fan of them, so... Then they have signed my CDs like Dusk or Vempire, now I´m the person who is signing those CD's. And I´m very proud of it! Dusk And Her Embrace changed my life and drumming on this CD has always been a big inspiration for me.
6. You appeared in the Temptation video. How was that?
Actually, that was my first big video shooting, so it was very exciting and I've learned a lot of things. Altough it was a very long day, everybody was very professional and as you can see, the final version looks pretty good!
7. Was it difficult learning all the drums for the tour set list?
Well, it depends. Some of the songs should be played as technical as it has been played before on the original album versions, so it was a bit harder, but not really - I have known all the songs for many years. But anyway, it's a big challenge for me to play all the songs after two monster killer drummers as Nicholas and Adrian definitely are!
8. Do you have a favourite song to play?
Yes, I love Dusk, Ebony, Cruelty, Cthulhu Dawn, Born in a Burial Gown, I am Thorn, Under a Huntress Moon and I would like to play Funeral In Carpathia, Haunted Shores, Queen of Winter, The Rape And Ruin Of Angels, Gabrielle, The Principle Of Evil Made Flesh, An Enemy Led to Tempest... Basically I love all the stuff.
9. How do you find the travelling so far?
I'm alright, don't have any problems at all. I don't need a life of luxury, but our tour bus is like a hotel, though. So, I'm fine, I'm fine. I do enjoy all the time with COF!
10. How did you start drumming?
I started playing when I was a child (5 or 6yrs old, I think), but you know, it wasn't too serious, I had beated all the stuff at home like chairs, plates, buckets... Later, when I was 12yrs old, I started practice more seriously. Because there were no drums lessons at any of the music schools of that time available, I began to take private lessons from a prof. Cupak (member of Janacek opera in Brno/Czech Republic). When I was 15 years old, I started to study at Leos Janacek Conservatory (which is basically Classical Music College), where I graduated in drums and as an additional instrument, piano (I have played piano since I was 7yrs old and still playing).
11. Do you read and write music?
Yes, I do and I write music as well. I have written four albums for my own band (Inner Fear) and on the last two albums I recorded all instruments.
12. Can we find more about you on the net?
Sure, my website: www.marthusmusic.com and my Youtube profile: www.youtube.com/user/marthusdrummer






Early Years
Cradle's first three years saw three demos and a rehearsal tape recorded amidst the sort of rapid line-up fluctuations that have continued ever since (Cradle has generally had around half a dozen members at any one time, but can boast more than twenty musicians in its history). The band also recorded an unreleased album entitled Goetia prior to the third demo and their style shift. Goetia was set for release on Tombstone records, but all tracks were wiped when Tombstone went out of business and couldn't afford to buy the recordings from the studio. The band eventually signed to Cacophonous Records and their debut album, The Principle of Evil Made Flesh, was also Cacophonous's first release in 1994. A step up in terms of production from the rehearsal quality of most of their demos, the album was still nevertheless a sparse and embryonic version of what was to come, with lead singer Dani Filth's vocals in particular bearing little similarity to the style he was later to develop. The album was well-received however, and as recently as June 2006 found its way into Metal Hammer's list of the top ten black metal albums of the last twenty years. Cradle's relationship with Cacophonous soon soured; the band accusing the label of contractual and financial mismanagement. Acrimonious legal proceedings took up most of 1995, and the band finally signed to Music for Nations in 1996 after only one more contractually obligated Cacophonous recording: the EP Vempire or Dark Faerytales in Phallustein which, it has since been conceded, was hastily written as a Cacophonous escape-plan. Despite the circumstances of its release however, its handful of tracks are staples of the band's live sets to this day, and "Queen of Winter, Throned" was listed among twenty-five "essential extreme metal anthems" in a 2006 issue of Kerrang! magazine. The EP also marked Sarah Jezebel Deva's debut with the band, replacing Andrea Meyer; Cradle's first female vocalist and self-styled "satanic advisor". Deva has appeared on every subsequent Cradle release and tour, but has never been considered a full band member,having also performed with The Kovenant, Therion and Mortiis, and fronted her own Angtoria project along with Cradle's current bass player, Dave Pybus.


Music for Nations era
Dusk...and Her Embrace followed the same year: a critically acclaimed breakthrough album that greatly expanded the band's fan-base throughout Europe and the rest of the world.[6] A concept album of sorts based generally on vampirism and specifically (though loosely) on the writing of Sheridan Le Fanu, Cradle's inaugural album for Music for Nations set the tone for what was to follow. The album's production values matched the band's ambition for the first time, whilst Dani's vocal gymnastics were at their most extreme. The increasingly theatrical stage shows of the 1997 European tour helped keep Cradle in the public eye, as did a burgeoning line of controversial merchandise; not least the notorious t-shirt depicting a masturbating nun on the front and the slogan "Jesus is a cunt" in large letters on the back. A handful of fans have faced court appearances and fines for wearing the shirt in public, and some band members themselves attracted a certain amount of hostile attention when they wore similar "I Love Satan" shirts to the Vatican. Alex Mosson, the Lord Provost of Glasgow from 1999-2003, called the shirts (and by implication the band) "sick and offensive". The band obviously approved, using the quote on the back cover of the 2005 DVD Peace Through Superior Firepower. In 1998, Dani began his long-running "Dani's Inferno" column for Metal Hammer, and the band appeared in the BBC documentary series Living With the Enemy (on tour with a fan and his disapproving mother and sister) and released its third full-length album Cruelty and the Beast. A fully-realised concept album based on the legend of the "Blood Countess" Elizabeth Bathory, the album boasted the casting coup of Ingrid Pitt providing guest narration as the Countess: a role she first played in Hammer's 1971 film Countess Dracula. The album led to Cradle's U.S debut, and Dani claimed it in 2003 as the Cradle album of which he was most proud, although he conceded dissatisfaction with its sound quality. The following year the band continued primarily to tour, but did release its first music video, PanDaemonAeon, and an accompanying EP, From the Cradle to Enslave, featuring the music from the production. Replete with graphic nudity and gore, the video was directed by Alex Chandon, who would go on to produce further Cradle promo clips and DVD documentaries, as well as the full-length feature film Cradle of Fear. The band released their fourth full-length studio album on Hallowe'en, 2000. Midian was based around the Clive Barker novel Cabal and its subsequent film adaptation Nightbreed. Like Cruelty and the Beast, Midian featured a guest narrator, this time Doug Bradley, who starred in Nightbreed but remains best known for playing Pinhead in the Hellraiser films. Bradley's line "Oh, no tears please" from the song "Her Ghost in the Fog" is a quote of Pinhead's from the first Hellraiser ("No tears, please. It's a waste of good suffering...") and Bradley would reappear on later albums Nymphetamine and Thornography. The video for "Her Ghost in the Fog" received heavy rotation on MTV2 and other metal channels, and the track also found its way onto the soundtrack of the werewolf movie Ginger Snaps. Midian created a rift in fan opinion which has only increased with time: whilst taking the band to new heights of commercial popularity, it also provoked cries of "sell-out" from die-hard fans of the early albums.


Sony interlude
The longest-ever interim period between full-length Cradle albums was nevertheless a busy time for the band. Bitter Suites to Succubi was released on the band’s own "Abracadaver" label, and was a mixture of four new songs, re-recordings of three songs from The Principle of Evil Made Flesh, two instrumental tracks, and a cover of The Sisters of Mercy's "No Time To Cry." Stylistically similar to Midian, the album is unique among Cradle albums in featuring exactly the same band members as its predecessor, but is generally regarded as an EP and often overlooked in the band's canon. Further stop-gap releases followed in the form of the "best of" package Lovecraft and Witch Hearts and a live album; Live Bait for the Dead. Finally, the band (principally Dani) also found time to appear in Cradle of Fear while they negotiated their first major-label signing with Sony Music. Damnation and a Day arrived in 2003; Sony's heavyweight funding underwriting Cradle's undiminished ambition by finally bringing a real orchestra into the studio (the 80-strong Budapest Film Orchestra and Choir replacing the increasingly sophisticated synthesisers of previous albums) and thus marking the band's belated gestation - for one album only - into full-blown symphonic metal. Damnation featured the band’s most complex compositions to date, outran its predecessors by a good twenty minutes, and produced two more popular videos: the Švankmajer-influenced Mannequin, and Babalon AD (So Glad For The Madness), based on Pasolini's infamous Salò. Roughly half the album trod the conceptual territory of John Milton's Paradise Lost - showing the events of the Fall of Man through the eyes of Lucifer - while the remainder comprised stand-alone tracks such as the Nile tribute "Doberman Pharaoh" and the aforementioned "Babalon AD"; a reference to Aleister Crowley. "Babalon AD" was the first DVD-only single to reach the U.K. top 40, according to the Guinness Book of Records of British Hit Singles and Albums. Feeling that Sony's enthusiasm quickly palled however, Cradle jumped ship to Roadrunner Records after barely a year.


Roadrunner
2004's Nymphetamine was the band's first full album since The Principle of Evil Made Flesh to not be based around any sort of overarching concept (although references to the works of H. P. Lovecraft are made more than once). Cradle's bassist Dave Pybus described it as an "eclectic mix between the group's Damnation and Cruelty albums with a renewed vigour for melody, songmanship [sic] and plain fucking weirdness spat into the smelting bowl." Cradle's growing acceptance by the mainstream was confirmed when the album's title track was nominated for a Grammy award, but the band's cover version of Cliff Richard's "Devil Woman" for the Nymphetamine special edition did little to convince its detractors of the band's integrity. The band's most recent album, Thornography, was released in October 2006. According to Dani Filth, the title "represents mankind's obsession with sin and self... An addiction to self-punishment or something equally poisonous... A mania." On the subject of the album's musical direction, Filth told Revolver magazine, "I'm not saying it's 'experimental', but we're definitely testing the limits of what we can do... A lot of the songs are really rhythmical - thrashy, almost - but they're all also really catchy." A flurry of pre-release controversy saw Samuel Araya's original cover artwork scrapped and replaced in May 2006, although numerous CD booklets had already been printed with the original image. Thornography received a similar reception to Nymphetamine, garnering generally positive reviews, but raising a few eyebrows with the inclusion of a cover of Heaven 17's "Temptation" (featuring guest vocals from Dirty Harry), which was released as a digital single and accompanying video shortly before the album. Long-term drummer Adrian Erlandsson departed the band in November 2006. According to an official Roadrunner press release, Erlandsson left with the intention of devoting his energies to his two side projects Needleye and Nemhain (the former of which is now defunct): "I have enjoyed my time with Cradle but it is now time to move on. I feel I am going out on a high as Thornography is definitely our best album to date". On July 1st, 2007, the German band Samsas Traum stated that Erlandsson would be playing drums on the new album, Heiliges Herz—Das Schwert der Sonne, and its subsequent tour. Cradle announced in early 2008 that their eighth studio album was underway: "The world tour for the 'Thornography' album, which last saw COF in Russia, Ukraine, UK, Romania, Slovakia and North America with GWAR is now complete [and] the band has returned home to start writing for a new record over the dark months in the rehearsal room. The new album, which is not yet titled, will be released some time in 2008 via Roadrunner Records." The band's official message boards recently revealed parts of an interview with Paul Allender, conducted by MédiaMatinQuébec: "We already have four new songs ready and I have to say that they are... much faster than the songs on Thornography. [They] sound like old Cradle of Filth... A mixture of Midian and Dusk. . ." The interview goes on to state that the album is planned for summer 2008 and will be followed by a European and American tour. The band will go on a tour around Europe with Gorgoroth, Moonspell, and Septic Flesh in December 2008. Possessed have also been added to the tour as of May 2008.


Genre
Cradle of Filth's first three demos bore a death metal feel, with occasional symphonic elements. However, when they released their fourth demo, Total Fucking Darkness, their genre became more akin to black metal. Their "true" black metal status however, has been in debate since near the time they became popular. Dani, in a 1998 interview for BBC Radio 5 for example, said "I use the term heavy metal, rather than black metal, because I think that's a bit of a fad now. Call it what you like: death metal, black metal, any kind of metal...", while Gavin Baddeley's 2006 Terrorizer interview states that "few folk, the band included, call Cradle black metal these days." Their format differs from most black metal, and they have thus, at one time or another, been labeled symphonic black metal; extreme gothic metal; melodic black metal; satanic metal; vampyric metal; speed metal; death metal; melodic death metal; horror metal; and dark metal, some of which are regarded by critics and fans alike as entirely apocryphal categories. However, the band's evolving sound has allowed them to continue resisting definitive categorisation. They are audibly influenced by Iron Maiden, have collaborated on projects like Christian Death's Born Again Anti-Christian album (on the track "Peek-A-Boo"), and have even dabbled outside of metal music with dance remixes ("Twisting Further Nails", "Pervert's Church" etc), although these have fallen by the wayside in recent years. In a 2006 interview with Terrorizer magazine, current guitarist Paul Allender said "We were never a black metal band. The only thing that catered to that was the make-up. Even when The Principle of Evil Made Flesh came out — you look at Emperor and Burzum and all that stuff — we didn't sound anything like that. The way that I see it is that we were, and still are now, an extreme metal band." Appearing on the BBC music quiz Never Mind the Buzzcocks on April 9 2001, Dani jokingly claimed Cradle's sound as "heavy funk", and in an October 2006 interview stated "We'd rather be known as solely 'Cradle of Filth', I think, than be hampered by stupid genre barriers."