romeo

cdSp..

EMO E-estudyante M-makulit O-oa

sar benett

internet

nothing

nightmare on helms street

emo, screamo, punk, rock, gothic, metal rock

nothing

Libra

EMO

Emo (pronounced /ˈiːmoʊ/) is a style of rock music typically characterized by melodic musicianship and expressive, often confessional lyrics. It originated in the mid-1980s hardcore punk movement of Washington, D.C., where it was known as "emotional hardcore" or "emocore" and pioneered by bands such as Rites of Spring and Embrace. As the style was echoed by contemporary American punk bands, its sound and meaning shifted and changed, blending with pop punk and indie rock and encapsulated in the early 1990s by groups such as Jawbreaker and Sunny Day Real Estate. By the mid 1990s numerous emo acts emerged from the Midwestern and Central United States, and several independent record labels began to specialize in the style.

Emo broke into mainstream culture in the early 2000s with the platinum-selling success of Jimmy Eat World and Dashboard Confessional and the emergence of the more aggressive subgenre "screamo". In recent years the term "emo" has been applied by critics and journalists to a variety of artists, including multiplatinum acts such as Fall Out Boy and My Chemical Romance and disparate groups such as Coheed and Cambria and Panic at the Disco.

In addition to music, "emo" is often used more generally to signify a particular relationship between fans and artists, and to describe related aspects of fashion, culture, and behavior.

SCREAMO


Screamo is a genre of music which predominantly evolved from hardcore punk, among other genres, in the early 1990s. The term "screamo" was initially applied to a more aggressive offshoot of emo that developed in San Diego in 1991, which used short, chaotically executed songs which grafted "spastic intensity to willfully experimental dissonance and dynamics," often with a political message. In the early 2000s, the genre name began to describe a different, slower and less dissonant style that borrowed from alternative rock. The term's application to the "second wave" is controversial among fans and practitioners of the earlier style. One musician observed that the term "has been kind of tainted in a way, especially in the States".