Riccardo Barone was born in an artistic world. His father Pasquale Barone is an important painter winner of many world prizes. As an infant, Riccardo Barone showed his first signs of love for music, so much so that his father’s old piano became his compagnion. At the age of four he demonstrated to have a predisposition towards the world of music which was overooked by his family and for this reason his decision for a musical education began later in life.
After years at having chosen the wrong education, carried out with provincially shallow teachers that only contributed to slowing down his course of studies, he was finally accepted into the experimental composition class of M° Enrico Renna at the conservatory St Pietro a Majella of Naples and parallel in M° Luigi Averna’s class for a three years course at piano studies.
His every thoughts were artistic visions which had become an obsession in every aspect of his conscience leading him to have a pessimistic vision of society so much so that he was eventually led into a misanthropist conception of existence.
Among his most significante experiences, we can recall his composition and techniques improvisions for the silent cinema, held by Professor G. Buchwald. Some of his orchestral works have been carried out in the “Maggio dei Monumenti” occasion during 2002 – 2003; has written with the collaboration of the composition workshop of M° L.M. lo Gatto (with the supervision of M° S.Miceli) a soundtrack for the short film of Susanna Nicchiarelli “Il linguaggio dell’amore” at the National School of Cinema; has written scene music for “Senza titolo” , a drama written by V. Modica at The Academy of Beautiful Arts of Naples; he was classified the winner for the “Antonio Manoni competition for composers, with the work “Evasione IV”, published by Berben editors; he sing in the choir of the conservatory “San Pietro a Majella” of Naples, participating at important concerts like that on occasion of “40 concerts in the Day of the Lord” at San Marce
Who I Want to Meet:
THAT'S WHAT I PLAY:
Scarlatti D. - sonata K25 L481
Barone R. - notturno I, notturno II,
Couperin F. - les barricades myserieuses
per clavicembalo
Agrell J. - sonata IV per clavicembalo
Nano G. - offertorio per organo
Grieg E. - lyric pieces op 12, op 38, op 43,
op 47, op 54, op 57
Chopin F. - etudes n 6 op 10, n 5, 7, 10 op 25
Cimarosa D. - sonata III
Bach J.S. - suite inglese II, III, sinfonie n 6, 7,
13, 15
Brahms J. - ciaccona di J.S.Bach trascritta
per la sola mano sinistra
Moscheles I. - etude n 14 op 70
Longo A. - in mare (barcarola)
Liszt F. - consolazione n 2, L'usignolo (da Alabiev)
Schumann R. - l'uccello profeta,
einsame blumen (da "Scene dal bosco") op 82,
Album fur due jugend op 68
Schubert F. - Improvviso n 2, 3, 4 op 90,
Moments musicals n 3 op 94
Beethoven L.van - sonata n 27 op 90
Rota N. - preludi n 2, 4, 5, 13
Clementi M. - sonata op 8 n 1
Haba A. - sest nalad
Logier J.B. - sonata "favorite"
Novak V. - my may
Durante F. - sonata per cembalo I
Bartok B. - este a szekelyeknel (sera nella campagna)
Villa Lobos H. - choros n 5 (alma brasileira)
Leo L. - toccata VI per cembalo
Moszkowsky M. - studio (per aspera ad astra) n 6
abate De Rossi Romano - sonata III per clavicembalo
Liszt F. - studi op 1 n 2, 4, 9
Mozart W.A. - sonata K 300 n 12 in fa maggiore
Mozart W.A. fantasia in do minore KV 475
Dvorak A. - dumka op 12
Liszt F. - studio trascendentale n 2
Smetana B. – Am sagestade studio da concerto
Chopin F. – preludes n 4, 14, 15, 18, 20, 22 op.28
Liszt F. – studio di perfezionamento (from Fètis & Moschelès method)
Salvatore G. – toccata prima del primo tuono finto
Donatoni F. – estratto
van Beethoven L. – sonata op. 90
Alfano F. – piece n 3 op 16
Desderi E. – notturnino
Porpora N. – fuga quinta
Liadov A. – preludio n 1 op 11
Jadassohn S. – improvisazionen terza
Renna E. – romanze senza parole n 1, 8, 11
Copland A. – piano variations
Liszt F. – variationen Weinen. Klagen, sorgen, zagen
Haydn F.J. – andante con variazioni in F minor
Bach J.S. – aria variata in italian style BWV 989
Borodin A. - polovesian dance from "Principe Igor"
(transcription for flute, clarinet and piano by R.Barone)
Ravel M. - Valses nobles et sentimentales n 2
(transcription for flute, clarinet and piano by R.Barone)
Barone R. - sonatina for flute and piano,
sonatina for clarinet and piano
Brahms J. - hungarian dance n 13
(transcription for clarinet and piano by R.Barone)
Grieg E. - svunne dager from lyrics pieces
(transcription for flute, clarinet and piano by R.Barone), Solvejgs song
Granados E. - danza spagnola n 2
(transcription for flute, clarinet and piano by R.Barone)
Schumann R. - stuke in volkston n 1
per violoncello e pianoforte
Vivaldi A. - credo (in qualità di corista)
Haydn F.J. - missa brevis St Joannis de Deo hob. XXII:7
(in qualità di accompagnatore)
Caldara A. - sebben crudele
Galuppi B. - magnificat (in qualità di accompagnatore)
Faurè G. - elegie op 24 per violoncello e pianoforte
Bloch E. - Baal shem per violino e pianoforte
Mozart W.A. - concerto per violino e orchestra K 219
in la maggiore
Scarlatti D. - laetatus sum (in qualità di corista)
Bellini V. - sei ariette
Borodin A. - polka per pianoforte a 4 mani
Donizetti G. – sonata per flauto e pianoforte
MyNiceSpace.com
=)
cme va??
vedo che sei italiano:..
nice to meet you to
ps add me?
ubat_clyde@yahoo.com